A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
The Class of ‘92
★ 7.1
John Candy: I Like Me
★ 7.9
Looking for Richard
★ 6.8
Aquaman: Heroines of Atlantis
★ 6.2
180° South
★ 7.3
Seduced and Abandoned
Girl Model
★ 6.5
Night Will Fall
★ 7.6
Ex Libris: The New York Public Library
★ 6.4
BRATS
★ 6.0
Memories of a Murderer: The Nilsen Tapes
★ 5.9
Stutz
★ 7.5
Downloaded
John Wick Chapter 2: Wick-vizzed
35 Up
The September Issue
★ 6.6
Daft Punk Unchained
★ 7.2
Finders Keepers
Voyeur
Struggle: The Life and Lost Art of Szukalski
Bosnia!
★ 4.3
On sourira de nous
★ 0.0
Back to Bosnia
★ 8.0
Jasper Mall
Angels in Sarajevo
Undercovered
★ 5.0
What Would Jesus Buy?
Sarajevo Ricochet Part 1: The US Green Light
À propos de Nice
Small Mall
★ 10.0
Malls R Us
Accordion Player
We are humans. El éxodo contado en primera persona
Hot Pepper
After The Dream Comes True
The Tunnel of the Bellows
Smokescreen over Brussels
The Bosnian Pyramids: The Biggest Hoax In History?
★ 5.2
Toward a Common Tenderness
Pour the Water as I Leave